Every mix and master for a client, from the booking to the invoice paid: your rate card, where an artist sees the price as they ask; each version approved or sent back from a link; the rounds counted against your price; and the balance before the finals.
The real screen, on the demo every tool runs on, all of it invented. Scroll, and it shows you round.
Five mixes and masters in hand, two of them with the client, and $300 owed on the work already approved.
A mix due in four days with no files in yet: what to send, from the published prep list, is already written.
Three rounds of notes on a price that covered two: $50 for the extra round, at your own rate, said before you start it.
One of 20 tools that share your clients, your money and your books, so nothing is typed twice.
It asks about you first, reads what you already have, and says why for everything it suggests.
A kit is the tools for one kind of musician or music business, for less than buying them one at a time.
The other tools in the group, each reading the same songs.
Every version of a song from demo to master, and what to fix next.
Every session: who was there, what was made, and what everyone agreed.
Beats you lease or beats you sell: every licence, its limits and its money.
