Every mix and master, booking to invoice
Your rate card, where artists ask and see the price; the files to ask for; each version approved or sent back from a link; the rounds counted against your price; and the balance before the finals.
Every job from the booking to the invoice paid: your rate card, where an artist asks for a booking and sees the price as they ask; the files to ask for; each version approved or sent back from a link; the rounds counted against your price; the balance before the finals; every record your name is on, and what you are owed.
Four of its tools on the demo: the real screens. Scroll, and it shows you round.

Five in hand, two with the client, $300 owed, and the files still to come in asked for by name.
$350 owed, five days late, and the reminder already written.
$120 to $246 earned so far, worked out from the plays, and what to chase first.
$1,439 profit so far this year, and what to set aside for tax.
Every mix and master from the booking to the invoice paid: your rate card, versions approved by link, rounds counted, and your credits.
Figures from the demo every tool runs on: an invented year of bookings, jobs, artists and demos, so you can see each tool at work before your own work goes in. Press any screen to open it.
Your rate card, where artists ask and see the price; the files to ask for; each version approved or sent back from a link; the rounds counted against your price; and the balance before the finals.
Price the job properly, send it with the terms on it, and see who still owes you, with the reminder written.
Points, fee, the credit on the services, and what each record still owes you, with every message written.
Every dollar in and out across the tools, what to set aside for tax, and a CSV an accountant can use.
7 tools, each one asking about you first and reading the same songs as the rest. Every one that works today has a demo, and its own page.
Each is the tools for one kind of musician, or one kind of music business. The Hybrid is all three music kits.