- 01Pitched, on hold, cut, out and paid up, in one line
- 02What each placement has earned you, worked out from its plays
- 03Fees still owed, and paid this year
- 04What to chase, costliest first, with the message written
Every record somebody else put out that your work is on, from the pitch to the money: what each one owes, what is missing, and who to chase.
The real screen, on the invented artist every demo runs on. Scroll, and it shows you round.

Pitched, on hold, cut, out and paid up: one placement or a hundred, each where it stands.
$120 to $246 so far, estimated from the plays, your points and your writer shares.
Register your 30% of a song with The MLC: 214,000 plays so far and $38.52 to $96.30 of writer money not reaching you.
One of 20 tools that share your songs, your shows and your money, so nothing is typed twice.
It asks about you first, reads what you already have, and says why for everything it suggests.
A kit is the tools for one kind of musician or music business, for less than buying them one at a time.
For producers and beatmakersProducer Kit
$29 a month · 11 tools
For songwriters and toplinersSongwriter Kit
$29 a month · 10 tools
For artist-producersHybrid Kit
$49 a month · 16 tools
For mix and mastering engineersEngineer Kit
$39 a month · 7 tools
The other tools in the group, each reading the same songs.

Every song, its codes and registrations, and the money missing.

Statements read for you: what earns, where, and what is next.

Split sheets everyone confirms, and who you owe what.

What you signed, the red flags, and offers compared.

Every dollar in and out, profit per song, and what to set aside for tax.

Every artist you look after, side by side, and the money each way.