The write, on paper
Who was there, what was made, what each person agreed, and the split sheet made from the room: a split agreed now takes a minute; agreed after the song earns, it takes lawyers.
Sessions: try it on the demo
Every co-write on paper the same day, confirmed by everyone on it before the room empties; every song registered everywhere it earns; every hold and cut followed through to the money.
Figures from the demo every tool runs on: an invented artist's year, so you can see each tool at work before your own songs go in. Press any screen to open it.
Who was there, what was made, what each person agreed, and the split sheet made from the room: a split agreed now takes a minute; agreed after the song earns, it takes lawyers.
Sessions: try it on the demo
Which songs are free to pitch, which are on hold and with whom, which were cut, who to pitch each one to and why, and a warning before a song goes out with no split sheet behind it.
Pitch: try it on the demo
Every song with its codes and registrations, and what a missing one is costing from the plays it already has: about $51 to $102 of writer money on one unregistered song.
Catalogue: try it on the demo
Every cut somebody else released, your share on it, what is missing, and who to chase, with every message written.
Placements: try it on the demo
10 tools, each one asking about you first and reading the same songs as the rest. Every one has a working demo.
Each is the tools for one kind of musician; the Hybrid is all three.