Run a small label from one place: every artist and release on the roster with what each still needs, the catalogue registered everywhere it earns, statements read and paid through to each artist, and a demo inbox nobody waits on.
Four of its tools on the demo: the real screens. Scroll, and it shows you round.
Four artists, $380 owed to them from their deals, and a single that should already be with the distributor.
Your own demo page open, five demos waiting, and how fast you really answer: ten days.
Six of fifteen ways the songs could pay are set up, and up to $332 not reaching you so far.
$1,279 across 344K plays, up 34% on the three months before.
Your artists, their releases and the money in and out: the roster, the catalogue, statements paid through to each artist, and the demo inbox.
Figures from the demo every tool runs on: an invented year of bookings, jobs, artists and demos, so you can see each tool at work before your own work goes in. Press any screen to open it.
Each artist's next release checked against what the distributor and Spotify need, their numbers, their share with what is still to recoup, and the statement to send.
Your own demo page, every demo marked on five questions, the answer time counted for each, and the answer written for you.
Every song, every way it can pay, and whether it does, with the one action that fixes the most songs first.
Drop in a distributor statement and see what each song earns, where, and what looks off.
12 tools, each one asking about you first and reading the same songs as the rest. Every one that works today has a demo, and its own page.
Each is the tools for one kind of musician, or one kind of music business. The Hybrid is all three music kits.
