Every booking, chased on your terms
The enquiry answered the same day, the date held with a contract and a retainer, the night planned with the client from their phone, and the balance collected before the night instead of after it.
The business side of every booking: the enquiry answered the same day, the date held with a contract and a retainer, the night planned with the client from their phone, the gear packed, the balance in before the night, and one set of books.
Four of its tools on the demo: the real screens. Scroll, and it shows you round.

Five booked this year, $1,475 of retainers held, and the next night with one of six things done.
$350 owed, five days late, and the reminder already written.
$1,936 made after costs this year, and the shows coming up judged against your draw.
$1,439 profit so far this year, and $360 to $432 to set aside for tax.
Every booking from the first enquiry to the last song: the client's plan, the gear, the retainer, the balance and the books.
Figures from the demo every tool runs on: an invented year of bookings, jobs, artists and demos, so you can see each tool at work before your own work goes in. Press any screen to open it.
The enquiry answered the same day, the date held with a contract and a retainer, the night planned with the client from their phone, and the balance collected before the night instead of after it.
The fee, the costs and the extras counted to what the night actually paid, with the documents a venue asks for.
A quote that becomes the invoice, payments against it, and the reminder written: friendly in the first week, firm to a month, then a final notice.
Every dollar in and out, what each kind of booking makes, what to set aside for tax, and a CSV an accountant can use.
7 tools, each one asking about you first and reading the same songs as the rest. Every one that works today has a demo, and its own page.
Each is the tools for one kind of musician, or one kind of music business. The Hybrid is all three music kits.